MBT Lighting LEDPAR36UV LED Par Can - Par 36 blacklight/strobe

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LED Par Can. Made by MBT Lighting.

80 LEDs: 35 bright white, 45 deep UVpurple. 3 DMX channels control the intensity of the white LEDs, UV LEDs and master brightness and strobe. Use as an effective bright strobe light or a UV blacklight effect. 12-switch bank allows DMX address setting or selection of automatic, built-in flashing functions. 3-pin XLR in and out for connecting to standard DMX controllers. 5.5" diameter x 6" long.
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- 80 LEDs: 35 bright white, 45 deep UVpurple
- 3 DMX channels control the intensity of the white LEDs, UV LEDs and master brightness and strobe
- 12-switch bank allows DMX address setting or selection of automatic, built-in flashing functions
- 3-pin XLR in and out for connecting to standard DMX controllers
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PAR 36 Red Plastic Lens

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Par 36 hard plastic colored lenses. 4-3/8" in diameter.
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American DJ LL-200Par46M 200 Watt Par 46 Replacement Lamp Med Flood

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200 watt sealed beam lamp for the par 46 par can
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Technical Details

- 120v 200 watt par 46 sealed beam lamp
- medium beam spread
- for Par 46 A or B can or combo's
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American DJ LL-500 Par 6 M 500 Watt Par64 Replacement Lamp Med Flood

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500 watt sealed beam replacement lamp for the par 64 par can
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Technical Details

- 120V 500W par 64 replacement lamp
- medium beam spread
- for Par 64 A or B can or combo's
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Chauvet Par Can (BLACK) Lamp Included

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Aluminum PAR 38 can for professional stage lighting applications. Medium screw base lamp socket fits many available lamp types. Dimensions: 9" x 6.5" x 6.5".
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Technical Details

- Lightweight aluminum construction with black finish
- Gel frame, installed lamp socket, and cord with plug included
- Medium screw base socket fits standard spot and flood lamps
- Includes 150W lamp
- One-year manufacturer's warranty
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 "Good cheap stage light" 2009-05-19
By Scott Ference (Seattle, WA)
You can't have too many complaints for a bare bones, good cheap priced stage light. I think the ONLY thing I wished it had was a longer power cable.



Other than that, it came with a bulb, it supplies enough light for a small/medium size stage. I am using it along with 7 other lights behind the band to create atmosphere lighting and it does great.



FYI, the metal is fairly low quality and can easily bend/dent, but then again these aren't meant to stay pretty. Overall very good buy.


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PAR 36 Blue Plastic Lens

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Par 36 hard plastic colored lenses. 4-3/8" in diameter.
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PAR 36 #4515 Lamp 6V/30W

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#4515 lamp for use with PAR 36 pinspots. 6V, 30W. Screw terminal connections.
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MBT Lighting Par Pack Stage/DJ Lighting Package

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Lighting System. Made by MBT Lighting.

A simplified, stand-alone version of the popular DJ416 package, the PARPACK is ideal for bands and DJs who do not need foot control or linking capability.

Controller features 4 chase patterns (to audio or speed setting) and full-on switch.

Includes:

• 4 x P38S Black Par Cans,
• 4 x 90PAR38HFL 90W Lamps,
• LTS06 Light Stand,
• CHASE4 4-Channel Chase Controller,
• GP38A 4 Color Gel Pack.

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Technical Details

- 4 x P38S Black Par Cans,
- 4 x 90PAR38HFL 90W Lamps,
- LTS06 Light Stand,
- CHASE4 4-Channel Chase Controller,
- GP38A 4 Color Gel Pack.
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 "great lights for the price" 2009-11-12
By K. Flowers
I just got these stage lights for a couple of up coming shows, I check around some music stores, near were I live I look at the par 38 lights they had they look ok but in a way they look cheap made,and you had to buy the gel packs for the lights. I really like these lights they come with everything , bulbs, gel pack, controller, and stand. I like the 90 watt bulbs they put out plenty of light, so if you looking for lights for a small area these are all you need, the controller is nice easy to setup for chase mode or sound. sure you could pay more but for the money you can't go wrong


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American DJ Pl-1000 Standard Par 36 Pinspot With Lamp

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Standard pinspot with 30 watt lamp
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Technical Details

- standard non UL 30 watt par 36 pinspot
- screw cap to access lamp or to insert color gels
- ruggid metal housing
- replacement lamp LL-4515
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American DJ Z-CL100/PA Par 36 Color Caps For Pinspots $ Pack RGBY

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4 pack of contour gels par 36pin spots RGBY
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Technical Details

- CONTOUR GEL CAPS FOR PAR 36 PINSPOTS
- 4 DIFFERENT COLORS IN ONE PACK
- R,G,B,Y
- RICH VIBRANT COLORS
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 "Nice value, offering several options" 2009-09-29
By S. MCMICHAEL (Elburn, IL)
I purchased this pack of gel light lenses for use with two Par 36 spotlights. I purchased this 4-pack instead of individual lenses, as I felt like it was a better value offering me more choice.



I ended up using the blue lens and the red lens for my wedding reception/house party and was pleased with the results.



The only word of caution I will provide is that different color lens seem to offer different levels of lighting based on the room's ambient lighting. In other words, when I put on the red gel during daytime, I could see the light clearly. But when I put on the blue gel I couldn't see it very well at all. By nighttime, however, all was good and I could see both colors clearly. So if you are planning on using the darker lens colors and you are going to be setting up in an area with a lot of ambient light, you may want to purchase more spotlights rather than fewer spotlights in order to achieve the look you're going for.


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Chauvet PAR 36 Pinspot with Bulb

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Narrow, focused-beam spotlight ideal for light shows, mirror balls, and special effects. Model 4515 30W bulb included. Black fixture.
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Technical Details

- Narrow, focused-beam spotlight
- Excellent for light shows, mirror balls, and special effects
- Model 4515 30W bulb included
- Black fixture
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 "Performed great, no problems" 2009-09-29
By S. MCMICHAEL (Elburn, IL)
I purchased two of these lights for use at my wedding reception/house party in companion with some other items. I also purchased the four-pack of different colored 'gel' lenses to put over these lights. The lights, themselves, were aimed at a rotating mirror ball/disco ball in the center of the room. One light was attached to an American DJ metal stand with crossbar. The other I sort of 'rigged' over a metal curtain rod.



The lights worked great with plenty of cord available, a solid mounting bracket and adequate brightness. The included retaining clip was a little bit tough to remove and replace, but my guess is that if it were any 'easier' then it wouldn't be secure enough to be safe. I was also surprised that the bulbs don't "thread" into the base but are instead completely retained by the spring-like retaining clip/ring around the perimeter that I removed and reinstalled over-top of the color gels. Keep this in mind if you are putting on gel lenses, as well, as the bulb could slip out and drop if you are holding it at the wrong angle!



Another thing to keep in mind - if you are trying to create a certain mood or ambience and plan on using color gels - the red gel was bright enough to be seen in daylight all around the room. But with the blue gel installed, the light was fairly dim until the sun had set. Once it was 'dark', they both were fine. So if you're going for a blue-lit room, you may want to purchase more lights instead of fewer.

 "par36 en masse" 2008-09-01
By L. Wagoner (NE Ohio)
I'm responding somewhat to the first review and to let people know just how useful these things can be.



Firstly, I've never had the 100 hour limit he talks about. I built two 8 light columns for one of my top customers and they have trucked them across the U.S. for the last 2.5 years, not a single lamp has burned out. These lamps can also be purchased at Lowes for about $6. Make sure you buy the par36s with the turn off front lamp holder and not the ones using a spring wire. They can be colored with lenses for about $2 a lamp, less if you find the right price. I've built several rigs for bands and myself based around these lights and have never had to replace very many lamps. I keep two in the box just in case but rarely use them.



The Par36 Pinspot is easily the first choice for starting a light show for any band. They're cheap and durable. The best thing about them is that they use a 4515 6v 30w bulb. If you step this up to the line side it becomes clear they hardly draw any current. The end result is that you can pile these things onto a dimmer pack of even the smallest size and not risk burning it out. Fewer dimmers, less cost. More dimmers(channels) more flexibility, cooler show. If you get enough of them together they become a wall of light. It's pretty cool and has a range of about 20 feet. I know this doesn't sound like much distance but I did say it's the start of a great light show. Hell, most bands buy a kit with 8 par38s and call it a day so this is far and above that.



On the converse side, buying large par lights,(56 & 64s), you'll eat up dimmers fast and need large amounts of power to run them. How many venues are really that prepared to supply you with 4 20amp breakers for your band? LED lamps are a good option but at $100 a lamp very costly. They also have a much higher learning curve for programming.



In all the starting rigs I've built for people I'll use two bars of 4 Par38 washes out front pointing toward the band and then get at least a 10 truss for behind the band and load it with pinspots. As many as they can afford and the truss can support. Then a HZ1000 hazer and colored lenses. I use Elation boards usually because of cost, features, and reliability. Then Dimmer pack this all up nice and neat. Program in scenes and watch people as they marvel at the number of little beams coming down.



If the show grows to include larger par lights then the lenses can come off a few at a time to create white Rain lights that are always great with a bit of haze. Fog sucks, stay away from it. Venues hate it, customers hate it and who wants to breath it? The HZ1000 is DMX controllable and can be found online for $200.



I'm building a rig right now with 8 par38s out front and 24 par36s on a 15' truss behind with the HZ1000 mounted to the truss. The whole show will run off a single 20 amp breaker. I'm using 5 dimmers for ease of assembly and set them so the fronts are ch.1-4, the outside rears are 5-8 and the middle are 9-12. The hazer is channels 13-14 using a simple stage setter 8. All the cost is in the truss at about $650. The whole rig will come in under $2000 with a single road case that holds the whole thing. It sets up in about 30 minutes once you get practiced up on it. Note that sometimes you have to rewire a channel on your snake to get it to carry DMX but it does work, don't be mislead. 3 wire DMX is the same as a mic cord EXCEPT sometimes the shield of the cord is wired to the wrong lead and has to be switched around.



I hope this helps someone.

 "Great spot but costly to run" 2007-01-09
By Robert Charles Uzgalis (Los Angeles, CA, USA)
One should be warned that bulbs cost about $10 and only last 100 hrs. My experience is that they seldom make the 100 hr mark.


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